![]() ![]() At the same time, Michel comes to better understand Bernard's motivations and, in a strange way, develops a new respect for his son. Through this relationship, Guildoud is able to better understand why Bernard committed the murder. It never becomes too persona, the mutual repsect for privacy is there, but they meet for dinner and begin to enjoy one another's company. He agrees to help with the case, and becomes quite shocked as he goes about doing this when it dawns on him that he didn't really know his son as well as he thought he did.įrom here, over the course of the days that it takes to work the case, Descbomes and Guildoud's relationship turns into an interesting friendship. He leaves work, keeping his cool throughout his commute, but is soon asked for help by Commissaire Guildoud (Jean Rochefort). Michel's world gets rocked when he finds out that his son, Bernard (Sylvain Rougerie), has been accused of killing a man at the factory where his girlfriend worked and is now on the run, a wanted man. He's a news junkie interested in politics nad current events and the very model of a law abiding citizen. Paul ( L'horloger de Saint-Paul in its native France) opens with a striking scene where a young girl riding a train sees out her window what's left of a burning car.įrom here, we meet a middle-aged watchmaker named Michel Descombes (Philippe Noiret) who lives a quiet life in Lyon, France. Directed by Bertrand Tavernier, who co-wrote the screenplay with Jean Aurenche and Pierre Bost based on Georges Simenon's novel 'L'Horloger d'Everton,' 1974's The Clockmaker Of St. ![]()
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